Showing Records: 1 - 20 of 839
3rd draft, September 10, 1984 - January 3, 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
13 1/2” x 19 1/2” framed poster from the Brazilian production of Fool for Love, Louco de Amor,in Portuguese (black and white photo of woman holding man’s leg)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
20 1/2” x 28” framed poster for the Turkish production of True West, Vahsi Bati (white background with brown hat and red tie)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
24 1/2” x 34” framed poster for True West, L’ouest, Le vraipresented by Theatre National, in French (black background with white, red and blue lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
28” x 39” framed poster for True Westproduction presented by the Nouvelle Compagnie Theatrale, in French (black background with white lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
84 Charlie, Patrick Duncan, undated
111 pages
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
A - H
Glen Alyn; Steve Barthelme; Thomas Hart Benton; Bill Broyles; Jack Canson; Carlos W. Castaneda; Madison Cooper; J. Frank Dobie; Robert Duval; Steve Forbis; Joe Frantz; Larry Goodwyn; John Graves; Jim Hamm; Carl Hertzog; Tony Hillerman
A Lie of the Mind (1985)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
A Rage of Unknown Origin, undated
ADR, undated
6 part series, five of which aired August 1993 on CBS-TV.
ADR files, undated
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
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The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Advertisement in Variety magazine, undated
Advertisements, undated
Advertising sample (5.5 x 8.5 color card)
Ain't that America by Frank Pierson, August 2, 1985
All revisions through, April 22, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Alternate plot piece, not used, undated
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
American Place Theater annotated re-write, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
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